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<channel>
	<title>ART copy </title>
	<link>https://djoanagueorguieva.com</link>
	<description>ART copy </description>
	<pubDate>Thu, 17 Apr 2025 16:11:48 +0000</pubDate>
	<generator>https://djoanagueorguieva.com</generator>
	<language>en</language>
	
		
	<item>
		<title>Index</title>
				
		<link>https://djoanagueorguieva.com/Index</link>

		<pubDate>Thu, 17 Apr 2025 16:11:42 +0000</pubDate>

		<dc:creator>ART copy </dc:creator>

		<guid isPermaLink="true">https://djoanagueorguieva.com/Index</guid>

		<description></description>
		
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	<item>
		<title>Mobile header</title>
				
		<link>https://djoanagueorguieva.com/Mobile-header</link>

		<pubDate>Thu, 17 Apr 2025 16:11:42 +0000</pubDate>

		<dc:creator>ART copy </dc:creator>

		<guid isPermaLink="true">https://djoanagueorguieva.com/Mobile-header</guid>

		<description>Lorem Ipsum
Lorem ipsum dolor sit amet, consectetur adipiscing elit. Pellentesque condimentum eros sed vehicula rhoncus. Maecenas vel molestie est. Sed quis turpis sapien. Donec vel dignissim augue, vel maximus velit. Pellentesque eget pretium tellus, nec aliquet purus.

Information
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	<item>
		<title>A/breath </title>
				
		<link>https://djoanagueorguieva.com/A-breath</link>

		<pubDate>Thu, 17 Apr 2025 16:11:43 +0000</pubDate>

		<dc:creator>ART copy </dc:creator>

		<guid isPermaLink="true">https://djoanagueorguieva.com/A-breath</guid>

		<description>
	
	

	A/breath&#38;nbsp;
	Film&#38;nbsp;
2023
3 min&#38;nbsp;
16 mm film&#38;nbsp;
Digital video&#38;nbsp;
Sound&#38;nbsp;

Link upon request&#38;nbsp;
Perfromance film loop , also shown as a 3 channel film instalation with sound project&#38;nbsp;


	
		
		
	
	
		
			
				
					

A performance on the exaggerated intimacy of extreme closeness, where one
is so bound to the other that it feels as if their exhale is your air. It
is an act of push and pull, as one breathes out the other breathes in, there is a constant exchange of weights being shifted, what apears to be a progression may be in reverse, in a space of time counted by the physical metronome.&#38;nbsp;

				
			
		
	



&#60;img width="1930" height="1410" width_o="1930" height_o="1410" data-src="https://freight.cargo.site/t/original/i/9be93e32b7c8e2f1be18e8d9e3df3c00a396be278ddf07f1928b2926b2626011/Screenshot-2023-04-14-at-16.45.35.png" data-mid="230255184" border="0"  src="https://freight.cargo.site/w/1000/i/9be93e32b7c8e2f1be18e8d9e3df3c00a396be278ddf07f1928b2926b2626011/Screenshot-2023-04-14-at-16.45.35.png" /&#62;
&#60;img width="1942" height="1440" width_o="1942" height_o="1440" data-src="https://freight.cargo.site/t/original/i/7c87767fabffac927cb2e0b1116e56daad2edde4ba048cc36a049d2b79d71c3e/Screenshot-2023-04-14-at-16.45.52.png" data-mid="230255186" border="0"  src="https://freight.cargo.site/w/1000/i/7c87767fabffac927cb2e0b1116e56daad2edde4ba048cc36a049d2b79d71c3e/Screenshot-2023-04-14-at-16.45.52.png" /&#62;
&#60;img width="3292" height="1868" width_o="3292" height_o="1868" data-src="https://freight.cargo.site/t/original/i/fc866b73b092ee3c28f502700575ad3d7bee6655406243966b5f5f27c97007f2/Screenshot-2023-09-26-at-11.06.13.png" data-mid="230255187" border="0"  src="https://freight.cargo.site/w/1000/i/fc866b73b092ee3c28f502700575ad3d7bee6655406243966b5f5f27c97007f2/Screenshot-2023-09-26-at-11.06.13.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>A/root</title>
				
		<link>https://djoanagueorguieva.com/A-root</link>

		<pubDate>Thu, 17 Apr 2025 16:11:44 +0000</pubDate>

		<dc:creator>ART copy </dc:creator>

		<guid isPermaLink="true">https://djoanagueorguieva.com/A-root</guid>

		<description>
	A/root
	Film 
20238 min loop16 mm film Digital video
 Archival found footage&#38;nbsp;Sound Link upon request, also shown as a 3 channel film instalation

	
		
		
	
	
		
			
				
					“Out of the brain,

					 into the water
				
				
					and down the drain”
				
			
			
				
					
A personal meditation on imbedded structures of inherent cultural traits and gestures, muddled by a life in-between countries, languages and
outdated ideologies of one nation state identities’ and nuclear families
one tries to from their own system not bound by genealogical histories and
debts..

				
			
		
	


 



&#60;img width="2669" height="1800" width_o="2669" height_o="1800" data-src="https://freight.cargo.site/t/original/i/2a6e9afc2c63df72d6086b8607207347444a19ab6afc95de99659fbec9883c78/root_still_djoanagueorguieva.jpg" data-mid="230255188" border="0"  src="https://freight.cargo.site/w/1000/i/2a6e9afc2c63df72d6086b8607207347444a19ab6afc95de99659fbec9883c78/root_still_djoanagueorguieva.jpg" /&#62;

	&#60;img width="2066" height="1372" width_o="2066" height_o="1372" data-src="https://freight.cargo.site/t/original/i/d0b798b8bd507f09af7bb9cc27f50add3393593da01847042d58eafa803fb1dd/Screenshot-2023-04-14-at-16.44.52.png" data-mid="230255190" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/d0b798b8bd507f09af7bb9cc27f50add3393593da01847042d58eafa803fb1dd/Screenshot-2023-04-14-at-16.44.52.png" /&#62;
	
&#60;img width="2140" height="1326" width_o="2140" height_o="1326" data-src="https://freight.cargo.site/t/original/i/585d5bc224927d5aacca61937d675b530349a8e38d6e73f9a3a0b5f1d85bd30d/Screenshot-2023-04-14-at-16.43.29.png" data-mid="230255189" border="0" data-scale="100" src="https://freight.cargo.site/w/1000/i/585d5bc224927d5aacca61937d675b530349a8e38d6e73f9a3a0b5f1d85bd30d/Screenshot-2023-04-14-at-16.43.29.png" /&#62;&#60;img width="3392" height="1860" width_o="3392" height_o="1860" data-src="https://freight.cargo.site/t/original/i/28ed4c27665f1bb362fe408abf7d581a618f4e341a15850543b43c5934c06ded/Screenshot-2023-09-30-at-14.14.30.png" data-mid="230255191" border="0"  src="https://freight.cargo.site/w/1000/i/28ed4c27665f1bb362fe408abf7d581a618f4e341a15850543b43c5934c06ded/Screenshot-2023-09-30-at-14.14.30.png" /&#62;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp;&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#60;img width="3256" height="1814" width_o="3256" height_o="1814" data-src="https://freight.cargo.site/t/original/i/cad61c47fcd8f4e19cd5c02205a84f917e253042fc6e814659abb78855e0014d/Screenshot-2023-09-30-at-14.14.03.png" data-mid="230255192" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/cad61c47fcd8f4e19cd5c02205a84f917e253042fc6e814659abb78855e0014d/Screenshot-2023-09-30-at-14.14.03.png" /&#62;&#60;img width="3322" height="1852" width_o="3322" height_o="1852" data-src="https://freight.cargo.site/t/original/i/5193aad1a3f3c589f7271ec5a5e68d53f48362231521de554d14ea92378fc1a9/Screenshot-2023-09-30-at-14.13.10.png" data-mid="230255194" border="0"  src="https://freight.cargo.site/w/1000/i/5193aad1a3f3c589f7271ec5a5e68d53f48362231521de554d14ea92378fc1a9/Screenshot-2023-09-30-at-14.13.10.png" /&#62;&#60;img width="3316" height="1848" width_o="3316" height_o="1848" data-src="https://freight.cargo.site/t/original/i/089303f395cac4c33c91c7d4ac7191109f9e6765dd4a6f0701e17348c6d5f729/Screenshot-2023-09-30-at-14.13.49.png" data-mid="230255193" border="0"  src="https://freight.cargo.site/w/1000/i/089303f395cac4c33c91c7d4ac7191109f9e6765dd4a6f0701e17348c6d5f729/Screenshot-2023-09-30-at-14.13.49.png" /&#62;
24–09–2024&#60;img width="3420" height="1900" width_o="3420" height_o="1900" data-src="https://freight.cargo.site/t/original/i/2ee05482fb5e189bc1572a3f5f21bc1b0f3a337a3a44439cb74fad19bfd997aa/Screenshot-2023-09-30-at-14.18.31.png" data-mid="230255195" border="0" data-scale="51" src="https://freight.cargo.site/w/1000/i/2ee05482fb5e189bc1572a3f5f21bc1b0f3a337a3a44439cb74fad19bfd997aa/Screenshot-2023-09-30-at-14.18.31.png" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>A/fold</title>
				
		<link>https://djoanagueorguieva.com/A-fold</link>

		<pubDate>Thu, 17 Apr 2025 16:11:45 +0000</pubDate>

		<dc:creator>ART copy </dc:creator>

		<guid isPermaLink="true">https://djoanagueorguieva.com/A-fold</guid>

		<description>
	A/fold
&#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; &#38;nbsp; 

	Film 20235 min16 mm film Digital video Sound 
Link upon request Perfromance film loop, also shown as a 3 channel film instalation&#38;nbsp;




	
		
		
	
	
		
			
				
					
A slow dance of familiar steps curated and connected by a linen textile
passed down from mother to daughter for generations and guided by an all
too familiar act of care work.

					
} It is a custom in Bulgaria that embroidered white bed linens are handed down from
one generation of women to the next. A portion of the same linen textiles you see
folded here hang in three pieces as part of&#38;nbsp; the Inherent Transfers Instalation 23, painting with rust,&#38;nbsp;

				
			
		
	

&#60;img width="6818" height="3750" width_o="6818" height_o="3750" data-src="https://freight.cargo.site/t/original/i/8211a6d48e3f4cbfec99bd48396981f82c0aea5ae6b628f5c9edb4db07ec4ba2/breath_still.jpg" data-mid="230255196" border="0"  src="https://freight.cargo.site/w/1000/i/8211a6d48e3f4cbfec99bd48396981f82c0aea5ae6b628f5c9edb4db07ec4ba2/breath_still.jpg" /&#62;&#60;img width="4202" height="3300" width_o="4202" height_o="3300" data-src="https://freight.cargo.site/t/original/i/ceab319e20378ce65eb08c67562f52e58c6db256cb884acc7f189d59d6320359/postcard_1-copy.jpg" data-mid="230255197" border="0"  src="https://freight.cargo.site/w/1000/i/ceab319e20378ce65eb08c67562f52e58c6db256cb884acc7f189d59d6320359/postcard_1-copy.jpg" /&#62;</description>
		
	</item>
		
		
	<item>
		<title>Migratory Birds Pt.1</title>
				
		<link>https://djoanagueorguieva.com/Migratory-Birds-Pt-1</link>

		<pubDate>Thu, 17 Apr 2025 16:11:45 +0000</pubDate>

		<dc:creator>ART copy </dc:creator>

		<guid isPermaLink="true">https://djoanagueorguieva.com/Migratory-Birds-Pt-1</guid>

		<description>
	Migratory Birds Pt.1
	Short Film2022&#38;nbsp;
7.14 min.&#38;nbsp;
8mm&#38;nbsp;
8mm found footage from Bulgarian Archives and Vienna Film Archive&#38;nbsp;
Sound&#38;nbsp;
Link upon request&#38;nbsp;



















Would you ask a bird where
it’s from?



 



“Cultural identities come from somewhere, they have
histories. But like everything else that is
historical, they undergo constant transformation. Far from being externally
fixed in some essentialized past, they are subject to the continuous play
of history, culture, and power. Far from being
the mere recovery of a past, waiting to be found, and once found will secure
our sense of self into eternity,
identities are the different names we give to the different ways we are positioned by, and position ourselves
within the narratives of the past.”



—Stuart Hall



&#38;nbsp;



 



 












&#60;img width="2032" height="1254" width_o="2032" height_o="1254" data-src="https://freight.cargo.site/t/original/i/c0c2a17a03d300a38a10f6700ce8a96424a188c18cde6c8ba9bd8c06682b284c/Screenshot-2023-04-14-at-16.13.21.png" data-mid="230255200" border="0"  src="https://freight.cargo.site/w/1000/i/c0c2a17a03d300a38a10f6700ce8a96424a188c18cde6c8ba9bd8c06682b284c/Screenshot-2023-04-14-at-16.13.21.png" /&#62;
&#60;img width="1914" height="1370" width_o="1914" height_o="1370" data-src="https://freight.cargo.site/t/original/i/533bf1fdf50c0bec1db6626ca87e4daef573ab8e85261cf55ce6ef08baa5cace/Screenshot-2023-04-14-at-16.13.54.png" data-mid="230255201" border="0"  src="https://freight.cargo.site/w/1000/i/533bf1fdf50c0bec1db6626ca87e4daef573ab8e85261cf55ce6ef08baa5cace/Screenshot-2023-04-14-at-16.13.54.png" /&#62;
&#60;img width="2028" height="1356" width_o="2028" height_o="1356" data-src="https://freight.cargo.site/t/original/i/0f9598e053f26faf13f34a70f6c4558d26470e16d338e078c95a5f693499f442/Screenshot-2023-04-14-at-16.14.39.png" data-mid="230255203" border="0"  src="https://freight.cargo.site/w/1000/i/0f9598e053f26faf13f34a70f6c4558d26470e16d338e078c95a5f693499f442/Screenshot-2023-04-14-at-16.14.39.png" /&#62;
&#60;img width="2024" height="1410" width_o="2024" height_o="1410" data-src="https://freight.cargo.site/t/original/i/53e67920ad068d7f086c0b88c3dc35a44e1d8787b1e0b53f2511bbd9e9a704b8/Screenshot-2023-04-14-at-16.14.20.png" data-mid="230255202" border="0"  src="https://freight.cargo.site/w/1000/i/53e67920ad068d7f086c0b88c3dc35a44e1d8787b1e0b53f2511bbd9e9a704b8/Screenshot-2023-04-14-at-16.14.20.png" /&#62;
&#60;img width="1988" height="1436" width_o="1988" height_o="1436" data-src="https://freight.cargo.site/t/original/i/56a65289f4acb20393ec203dc82c447e174b5278458be06f038b6188a23f3fbe/Screenshot-2023-04-14-at-16.15.31.png" data-mid="230255204" border="0"  src="https://freight.cargo.site/w/1000/i/56a65289f4acb20393ec203dc82c447e174b5278458be06f038b6188a23f3fbe/Screenshot-2023-04-14-at-16.15.31.png" /&#62;
























The voice
of collective memory—the voice of the birds, my own voice recorded in passage
on trains, planes and busses traveling “home” an auditory displacement. 



Speaking in
my mother tongue I bring in the “I” here, as I too owe something to this
narrative and to the stories of those who are not able to speak. The subtitled
text remains in Bulgarian in an effort to bring forth the feeling of being
abroad, attempting to hear with your eyes. 



A set of
questions are repeated: “Where are you from? Will you stay here? What are you
doing here?” I recall the last time in the border-control line for “non-US
residents,” echoing in the undertone of the delivery. The voice cautions about
asking these redundant questions of origin with care, to not presume that “I”
am not from “here.” If this were the case, then where am “I” from, and does
“here” then belong to “you” or “you” to it?



 



Derived from an interest in the topic of diasporic women, my
work Migratory Birds Pt. 1 (2022) serves
both as a personal prologue to a future project and as part of a conversation with my previous project While I Still Have a
Voice. Through the work, I
seek to draw attention to several questions regarding belonging, nationality, and
the conflicts that arise from not heeding Stuart Hall’s message to avoid the categorization
of others into singular national identities based on sociopolitical and
consumerist ideologies.



 



The images
filmed in 8mm and pulled from archives themselves know no belonging, pixelated
and thrown aside, displaced out takes akin to Hito Steyerl’s “poor images”. Shown
in combination with the tone of the scientific text borrowed from Stuart
Weidensaul, author of Living on the Wind: Across the Hemisphere with Migratory
Birds (1999), and personal prose, attempt to reflect on the loss and sacrifice
made by those in search of belonging and refuge, questioning the tall tales of
places that promise “sinews of peace” one day and suppression the next.
Demographics show that women make up nearly 50 percent of the world’s migratory
population—but how often are we confronted with their narratives?



 



 







	
	

</description>
		
	</item>
		
		
	<item>
		<title>While I Still Have A Voice </title>
				
		<link>https://djoanagueorguieva.com/While-I-Still-Have-A-Voice</link>

		<pubDate>Thu, 17 Apr 2025 16:11:46 +0000</pubDate>

		<dc:creator>ART copy </dc:creator>

		<guid isPermaLink="true">https://djoanagueorguieva.com/While-I-Still-Have-A-Voice</guid>

		<description>
	While I Still Have A Voice&#38;nbsp;
	Short Film2022&#38;nbsp;
Hybrid Documentary&#38;nbsp;
7 min.
Digital Video&#38;nbsp;
8mm found Footage from Vienna Film Archive&#38;nbsp;

Link upon request






	
		
		
	
	
		
			
				
					A collaboration with the Vienna Film Museum, what does it mean
to work with an archive or the act of archiving. Where does
the power of image lay next to that of sound, does a spoken
narrative enforce the reality of the imagery it accompanies?
				
			
		
	


&#60;img width="1862" height="1432" width_o="1862" height_o="1432" data-src="https://freight.cargo.site/t/original/i/9d75b707db003f4d28bd71080e93f2d898f2e6279bc414c2176a2c553553f839/Screenshot-2023-04-14-at-15.37.02.png" data-mid="230255205" border="0"  src="https://freight.cargo.site/w/1000/i/9d75b707db003f4d28bd71080e93f2d898f2e6279bc414c2176a2c553553f839/Screenshot-2023-04-14-at-15.37.02.png" /&#62;
&#60;img width="1858" height="1284" width_o="1858" height_o="1284" data-src="https://freight.cargo.site/t/original/i/2ff478ed1017430fd36a4ec1056df8d2184e96595b479b052d27451f72de8f03/Screenshot-2023-04-14-at-15.37.40.png" data-mid="230255206" border="0"  src="https://freight.cargo.site/w/1000/i/2ff478ed1017430fd36a4ec1056df8d2184e96595b479b052d27451f72de8f03/Screenshot-2023-04-14-at-15.37.40.png" /&#62;
&#60;img width="1814" height="1154" width_o="1814" height_o="1154" data-src="https://freight.cargo.site/t/original/i/64868b0a887a476bfad5d4998a28e6e1462e0a375da94e4927d21a52b34bc56b/Screenshot-2023-04-14-at-15.38.13.png" data-mid="230255207" border="0"  src="https://freight.cargo.site/w/1000/i/64868b0a887a476bfad5d4998a28e6e1462e0a375da94e4927d21a52b34bc56b/Screenshot-2023-04-14-at-15.38.13.png" /&#62;
</description>
		
	</item>
		
		
	<item>
		<title>A/current</title>
				
		<link>https://djoanagueorguieva.com/A-current</link>

		<pubDate>Thu, 17 Apr 2025 16:11:47 +0000</pubDate>

		<dc:creator>ART copy </dc:creator>

		<guid isPermaLink="true">https://djoanagueorguieva.com/A-current</guid>

		<description>
	A/current&#38;nbsp;
	Video Installation&#38;nbsp;
Projection&#38;nbsp;
Metal
Linen
Water
Pump



	
		
		
	
	
		
			
				
					
Water as an element of collecting information, data like minerals, data
water, water as an element of connection and transmission, collecting but
also leaving behind, eroding, transforming, transferring, transmitting, and
emitting.

					
The two structures are in dialogue with each other and the rest of the work
throughout the show. A two-metre-high and two-and-a-half-metre-long metal
piece resembling the drying poles found in the courtyards of my childhood
garden, identical, brutalist, cube-like buildings common to Sofia’s
outskirts lined up like dominoes, each one with a small cement courtyard,
patches of grass here and there in a dying out communal space.

					
In the middle of the “garden” is a drying pole, made of metal two metres
high and two metres wide, water dripping off a wet linen bedsheet.
Endlessly dripping, A/current is a sculptural installation consisting of
metal, which is prone to rust over the passage of time. Its slow, time-
based process of ageing illustrates the transference of all things through
the passing of time onto a piece of linen passed down from grandmother to
mother to daughter. Cultural, familial, generational habits and traumas are
reflected through the cyclical flow of the water from the source, through
the pipes and down the linen and then back again. Only here the cycle is
interrupted; the flaws and nuances are mentioned and referenced in the
effect of the textile, as it too picks up on its environmental influences—
no longer white but painted from the action and the intent of the water.
It is through this process that the rust writes, imprinting a different
story on the watery canvas. History never constant and ever changing, as
the orange patina slowly envelops the metal, changing the structure through
time.

				
			
		
	


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</description>
		
	</item>
		
		
	<item>
		<title>Tele/vision or the mechanical eye</title>
				
		<link>https://djoanagueorguieva.com/Tele-vision-or-the-mechanical-eye</link>

		<pubDate>Thu, 17 Apr 2025 16:11:48 +0000</pubDate>

		<dc:creator>ART copy </dc:creator>

		<guid isPermaLink="true">https://djoanagueorguieva.com/Tele-vision-or-the-mechanical-eye</guid>

		<description>
	Tele/vision or the mechanical eye
	Video Art / Instalation&#38;nbsp;
Digital Video&#38;nbsp;
Tv Monitors&#38;nbsp;
Link upon request
A close observation of the way the eye moves when drawing a nude figure.


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24–09–2024</description>
		
	</item>
		
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